Diego Vázquez (b. 1993) Monterrey, N.L. Mexico. Self-taught painter based in Mexico City. His work focuses on painting, using airbrush as his main tool, and utilizing various surfaces as his canvas.
Diego’s inspiration comes from the streets of the city. He enjoys walking through the city that inspires his work, observing murals, religious iconography, advertising found on every corner filled with popular elements and cartoons, as well as all the people who inhabit these spaces.
The title of his show “Perdiendo La Fe,” which translates to “Losing Faith,” reflects the daily life of Mexican people, always hopeful despite adversity, seeking help and finding solace in something greater than ourselves. Providing comfort and motivation to continue during difficult times.
“Losing faith” refers to when we think everything is wrong and nothing has a solution, so we go to our temple, take our scapular and pray or walk to the altar at the corner in search of hope.
Diego Vázquez es un pintor autodidacta que trabaja en la Ciudad de México. Su trabajo está enfocado en la pintura, utilizando el aerógrafo como herramienta principal, usando como lienzo todo tipo de superficies
La inspiración de Diego proviene de las calles de la ciudad. Le gusta caminar por la ciudad que inspira su trabajo, observando los murales, la iconografía religiosa, la publicidad que se encuentra en todas las esquinas llena de elementos populares y dibujos animados, así como todas las personas que habitan estos espacios
El título de su programa “Perdiendo La Fe”, que se traduce como “Perdiendo la fe”, es un reflejo de la vida cotidiana de las personas mexicanas, siempre llenas de esperanza a pesar de las adversidades , buscando ayuda y encontrando la calma en algo superior a nosotros. Brindándonos el consuelo y la
Motivación para seguir adelante en los momentos difíciles.
Perdiendo la fe hace referencia a cuando pensamos que todo está mal y nada tiene solución, entonces acudimos a nuestro templo, tomamos nuestro escapulario y rezamos o caminamos al altar que se encuentra en la esquina en busca de esperanza.
Bottom of a Pile by Darren Romanelli and Friends. Featuring Zoot Suit, Ragdigz and C. R. Stecyk III.
Marianela Castro (b. 1996, Mexico City) is a multidisciplinary artist who graduated from the National School of Painting, Sculpture, and Engraving (ENPEG) “La Esmeralda” in 2020 with a degree in Fine Arts. Her work integrates two-dimensional and sculptural mediums, blending analog and digital processes to explore the latent potential within everyday moments of waiting. Focusing on human adaptation and our place in the universe, Castro’s art challenges the notion of history as a relentless creator of ruins. Her exhibitions present her work as a contemplative statement, inviting viewers to pause and transform memory into creative action, overcoming sensations of
defeat to embrace new beginnings.
Marianela Castro (1996) es una artista multidisciplinaria de la Ciudad de México, graduada en artes plásticas y visuales de la Escuela Nacional de Pintura, Escultura y Grabado (ENPEG) “La Esmeralda” en 2020. Su trabajo combina medios bidimensionales y escultóricos, fusionando procesos analógicos y digitales para explorar el potencial en estado de espera en la vida cotidiana. Su enfoque artístico busca comprender la adaptación humana y nuestra posición en el universo, desafiando la idea de la historia como un generador constante de ruinas. Su obra se presenta como un enunciado en el espacio de exhibición, invitando a una pausa dentro de la pausa, donde el recuerdo se convierte en acción creativa y se supera la sensación de derrota
para volver a empezar.
OAXAKALIFORNIA,” presented by Johndoe Gallery at Yope Projects, offers an exploration of the relationship between artists in Los Angeles and Oaxaca. Initially,John Doe Gallery in Los Angeles hosted Yope Projects from Oaxaca. Now, Los Angeles-based artists will exhibit their work in Oaxaca at Yope projects space. This collaboration offers an exploration of the dialogue between artists from both regions. In a world where borders signify division, “OAXAKALIFORNIA” transcends physical and linguistic barriers, inviting viewers to experience an interchange of lived experiences in the physical, the linguistic, and connections to the style and origins that extend beyond geographical confines. Through media such as film, television, and music, the exhibition serves as a platform for shared inspirations to converge, fostering a deeper understanding and forging connections between the respective art communities. “OAXAKALIFORNIA” celebrates the power of unity and friendship, encouraging audiences to embrace the cultural exchange and collaboration.Add your message here